Pedro Orrente, 1625 - La Crucifixió - gravat artístic

Informació de fons del producte artístic

Aquesta obra mestra va ser creada per Pedro Orrente el 1625. El més enllà 390 year old original measures the size: 48 3/4 × 40 1/2 in (123,8 × 102,9 cm) and was produced with the medium oil on canvas. This artpiece can be viewed in in the El Metropolitan Museum of Art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014 (amb llicència: domini públic). The creditline of the artwork is: Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014. What is more, the alignment is in portrait format and has an aspect ratio of 1 : 1.2, which implies that la longitud és un 20% més curta que l'amplada. The painter Pedro Orrente was an artist, whose art style was primarily Baroque. The Spanish artist lived for 65 anys - nascuda el 1580 i morta l'any 1645.

Trieu una opció de material de producte

The product dropdown menu provides you with the chance to select your individual material and size. The following sizes and materials are the options we offer you for individualization:

• Impressió metàl·lica (dibond d'alumini): These are metal prints on aluminium dibond material with a true depth. The non-reflective surface creates a fashionable look. The colors of the print are luminous, the fine details appear very clear.
• El llenç imprès: The printed canvas material stretched on a wood stretcher frame. A canvas print generates a soft and warm effect. Canvas Prints have the advantage of being low in weight, meaning that it is easy to hang up your Canvas print without the help of any wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
• Pòster imprès (material de tela): The poster print is a printed cotton canvas with a slightly rough finish on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
• Impressió de vidre acrílic: An acrylic glass print, which is sometimes referred to as a print on plexiglass, will turn an artwork into beautiful wall decoration. The artwork is printed with modern UV print technology. This has the impression of sharp and vivid colors.

Nota important: We make every effort to depict the art products with as many details as possible and to display them visually in our shop. Please keep in mind that the tone of the print products, as well as the printing might vary to a certain extent from the image on your screen. Depending on your screen settings and the quality of the surface, not all colors can be printed as realisitcally as the digital version on this website. Considering that all the fine art prints are printed and processed manually, there may as well be minor discrepancies in the motif's exact position and the size.

El producte

Informació de fons de les obres d’art

Taula de metadades de l’artista

© Copyright protegit | Artprinta.com (Artprinta)

What does the The Metropolitan Museum of Art say about the 17th century work of art from the painter Pedro Orrente? (© Copyright - Museu Metropolitan d'Art - El Metropolitan Museum of Art)

As recounted in the Gospel of Matthew 27:45-49, Christ has called out from the cross to God, and a bystander has “fetched a sponge, which he soaked in sour wine, and held it to his lips on the end of a cane.” Saint John stands below the cross as the Virgin Mary and two companions arrive, mourning, while three soldiers at left gamble for Christ's tunic. The figure on the ladder is a particularly brilliant narrative interpolation.Pedro Orrente spent time in Venice and Rome. Upon his return to Spain he worked in Toledo, where he knew El Greco, whose work must suddenly have looked old fashioned compared to the new naturalism of Caravaggesque painting. This is the finest of a much-repeated composition.