Ferdinand Georg Waldmüller, 1861 - Principis de primavera als boscos de Viena - gravats artístics

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• Tela: The printed canvas applied on a wood stretcher frame. Hanging a canvas print: A canvas print has the advantage of being low in weight. This means, it is quite simple to hang your Canvas print without the use of any wall-mounts. Canvas prints are suitable for any kind of wall.
• Impressió de pòsters (material de tela): A poster print is a UV printed canvas paper with a granular structure on the surface. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the print in order to facilitate the framing.
• Impressió sobre vidre acrílic (amb revestiment de vidre real): The print on acrylic glass, often denoted as a print on plexiglass, will convert the original work of art into brilliant décor. The work of art will be made with the help of state-of-the-art UV direct printing machines. It makes deep and vivid color hues.
• Impressió dibond d'alumini: Les impressions Dibond d’alumini són impressions sobre metall amb un impressionant efecte de profunditat.

Exempció de responsabilitat: We try whatever we can in order to describe the products with as many details as possible and to demonstrate them visually on the different product detail pages. Although, some colors of the printing material and the imprint might diverge marginally from the presentation on the device's monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments can be printed one hundret percent realistically. Because all the art reproductions are printed and processed by hand, there might also be minor deviations in the exact position and the size of the motif.

General description by Belvedere (© Copyright - Belvedere - Belvedere)

The snow and the weather conditions in the transitional periods were of little interest to Waldmüller. He preferred the sun and the warm season, which had not least also practical reasons, because in these weeks he could work outside for a long time without loss. An exception in his œuvre is the "Vorfrühling im Wienerwald", a subject that Waldmüller dealt with three times and which he himself repeated several times. It has to be emphasized that in these three views only the activity of the children is comparable, but otherwise there are great differences. Thus the place is always different, as are the weather and the arrangement of the figures. In the earliest version from Nuremberg (Feuchtmüller, WVZ-No. 960), for example, the children are gathered as a closed group in the centre of the foreground and are also highlighted by specific lighting. The second version from the Belvedere collection, on the other hand, is much more unusual in its concept. The children's gestures are expansive, the group of figures has moved further into the middle ground. On the other hand, the view is directed to the large liver flowers and primrose at the very front, as well as to the towering tree trunk. The way in which the picture is constructed, in which individual elements are emphasized and others treated as incidental, was quite unusual in Viennese painting at the time. The perspective with the extremely close-up foreground is also unconventional. This, as well as the low point of the eye, is reminiscent of the Pre-Raphaelites, whose works Waldmüller was able to get to know shortly before in London. The third variant is in the Alte Nationalgalerie in Berlin (Feuchtmüller, WVZ-No. 1084). [Sabine Grabner 8/2009]

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Early Spring in the Vienna Woods was painted by Ferdinand Georg Waldmüller in 1861. The original measures the dimensions: 52 x 66 cm - dimensions del marc: 69 x 81 x 8 cm. Oli sobre fusta va ser utilitzat pel pintor com a mitjà de l'obra mestra. Inscription bottom right: Waldmüller 1861 is the artwork's original inscription. The work of art is included in the digital collection of Belvedere situat en Viena, Àustria. Amb cortesia de - © Belvedere, Viena (domini públic). : purchase from Magda Mautner-Markhof in 1913. A més d'això, l'alineació és paisatge i té una proporció de 1.2: 1, la qual cosa implica que la longitud és un 20% més llarga que l'amplada. Ferdinand Georg Waldmüller was a painter of Austrian nationality, whose artistic style can be classified as Realism. The European artist lived for a total of 72 anys, born in 1793 in Vienna and passed away in 1865.

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