Guido Reni, 1642 - Mare de Déu amb el Nen amb Sant Joan Baptista - gravat artístic

Informació addicional proporcionada pel museu (© - El Museu J. Paul Getty - El museu J. Paul Getty)

In this depiction of a meeting between the young Christ and Saint John the Baptist, Guido Reni eliminated unnecessary detail and concentrated on the scene's emotional qualities. The eyes of the two children meet as Mary looks on. The doves that the Christ Child gives to his cousin are an allusion to both Jesus's future role as the King of Peace as well as his eventual sacrifice. Joseph enters through a doorway in the background.

Although using oil, Reni applied his color with the broad brushwork of fresco painting. He outlined important details with dark, jagged strokes. It was once thought that the sketchy appearance of Reni's late works meant that they were unfinished, but like many aging artists, Reni pared form and color to the bare essentials for purely expressive purposes.

Lost for centuries, this painting reappeared in the possession of a family in Michigan who sold it to the Getty Museum in 1984.

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Virgin and Child with Saint John the Baptist is an artwork made by the painter Guido Reni in 1642. Nowadays, this artpiece is part of the digital art collection of The J. Paul Getty Museum. This domini públic artpiece is being included with courtesy of The J. Paul Getty Museum.: . Besides, the alignment is portrait and has a side ratio of 1: 1.2, El que significa que la longitud és un 20% més curta que l'amplada. Guido Reni was a male painter, whose style can primarily be attributed to Baroque. The European painter was born in 1575 a Bolonya, província de Bolonya, Emília-Romanya, Itàlia i va morir als 67 anys l'any 1642 a Bolonya, província de Bolonya, Emília-Romanya, Itàlia.

Renúncia legal: We do the best we can to describe our art products in as much detail as we can and to showcase them visually on the respective product detail pages. At the same time, the pigments of the printed materials, as well as the print result may vary to a certain extent from the image on your monitor. Depending on the settings of your screen and the quality of the surface, not all colors can be printed as exactly as the digital version shown here. Given that all are processed and printed manually, there might as well be minor variations in the motif's exact position and the size.

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