Jan Lievens, 1631 - El príncep Carles Lluís del Palatinat amb el seu tutor - gravat artístic

Supplemental information from The J. Paul Getty Museum (© - by The J. Paul Getty Museum - El museu J. Paul Getty)

Wearing a gold medallion around his neck, an elderly man leans forward and extends a hand towards a youth who sits in front of a book. The man looks neither at the boy nor at the large open volume but instead gazes sympathetically at the viewer. Wearing a laurel wreath upon his head and dressed in a golden yellow robe with a richly embroidered cape, the daydreaming boy stares off into the distance.

Jan Lievens, who shared Rembrandt's interest in historical portraits featuring characters in fanciful costumes, here depicted Prince Charles Louis of the Palatinate being taught by his tutor Wolrad von Plessen. Previously thought to be a biblical depiction of Eli instructing Samuel, current research reveals that these figures were meant to allude to the classical figures of Aristotle instructing the young Alexander. Both Prince Charles Louis and Alexander the Great were about fourteen years old when they received instruction from their respective mentors.

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What you should know this artpiece created by the Dutch painter Jan Lievens

Això s’ha acabat 380 una obra d'art d'anys d'antiguitat va ser pintada pel mascle Holandès pintor Jan Lievens in 1631. This artpiece is in the the The J. Paul Getty Museum's digital collection. The classic art work of art, which belongs to the domini públic s'inclou amb cortesia de El museu J. Paul Getty.:. A més, hi ha l'alineació de la reproducció digital plaça format amb una relació d'aspecte de 1: 1, la qual cosa implica això la longitud és igual a l'amplada. The painter Jan Lievens was an artist, whose style was mainly Baroque. The Baroque painter was born in 1607 a Leiden i mort a l'edat de 67 el 1674 a Amsterdam.

Nota legal important: We try our utmost to describe our products as precisely as we can and to illustrate them visually in our shop. Please keep in mind that the tone of the printing material, as well as the imprint can vary marginally from the image on the monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as exactly as the digital version shown here. Given that all the art reproductions are processed and printed manually, there might also be minor variations in the exact position and the size of the motif.

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